About this project
This sociolinguistic study analyses code-switching between English and indigenous languages in contemporary African films. It examines selected film scripts to show how switches signal class, education, intimacy and resistance, arguing that code-switching is a deliberate artistic device for constructing modern African identity rather than linguistic deficiency.
Methodology
Discourse analysis
Chapters 1–5 outline
Chapter 1
Introduction: background to code-switching in film, statement of the problem (multilingual dialogue in African cinema is understudied as a meaning-making device), aim and objectives, research questions, scope, significance of the study, and definition of terms.
Chapter 2
Literature Review: theoretical framework, review of related works on code-switching in film, gaps in existing studies, and a summary positioning this project.
Chapter 3
Methodology / System Analysis and Design: qualitative discourse analysis of selected film texts. Includes data collection method, system requirements, use-case and architecture diagrams (or population, sample size, and instrument).
Chapter 4
Implementation and Results: a typology of code-switching functions in the selected films. Presentation of findings, testing, evaluation, and discussion of results.
Chapter 5
Summary, Conclusion and Recommendations: key findings, contribution to knowledge, limitations, and recommendations for further research.
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